Translators Quotes

I am not one of those translators who think that working closely with the writer will yield the best translation.

For me, every translation is a new book, with the translator inevitably broadening the meaning of the original book in any translation.

A satisfactory translation is not always possible, but a good translator is never satisfied with it. It can usually be improved. (Newmark)

Translation is not a matter of words only: it is a matter of making intelligible a whole culture.

As a true translator you will take care not to translate word for word.

The translator has to be a good writer. The translator has to hear music too. And it might not be exactly your music because the translator needs to translate the music. And so, that is what you are hoping for: a translator who gets what you are doing but who also gets all the ways in which it won't work in the new language.

I think every translator would tell you that when they look back at a poem they have translated, they want to pencil in changes. I know I do - though sometimes I also then remember all the reasons I made that choice in the first place.

God employs several translators; some pieces are translated by age, some by sickness, some by war, some by justice.

It seems more than likely that the translating of poetry is going to rub off on the translator if he or she is a poet.

What the translator - myself in particular - does is not comparable to what the Homeric performer was doing.

We are all mediators, translators.

To translate, one must have a style of his own, for the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.

Only truthful hands write true poems. I cannot see any basic difference between a handshake and a poem.

Common European thought is the fruit of the immense toil of translators. Without translators, Europe would not exist; translators are more important than members of the European Parliament.

As the writer, you can choose the word that seems best in terms of meaning, nuance, sound, etc. As the translator you are unlikely to find a word in your language that exactly matches, so that you are always making a decision about which meaning or nuance to choose, or emphasize, over the others.

I remember having a discussion with [Kaz] about his translation of the word shunyata as "boundlessness," instead of the more traditional "emptiness." I said: "Kaz, everyone is used to the word emptiness for shunyata. This might not sit well with people. He said: "Translator's prerogative!" Then he added, "One cannot assume we know what they meant...." I agreed.

Thomas Teal, a luminous translator of Jansson's twin talent for surface and depth, simplicity and reverberation in language, and someone who knows exactly how to convey her gift for sensing the meaning embedded in the most mundane act or turn of phrase.

Translated literature can be fascinating. There's something so intriguing about reading the text second hand - a piece of prose that has already been through an extra filter, another consciousness, in the guise of the translator. Some of my favorite writers who have written in English were doing so without English being their first language, so there's a sense of distance or of distortion there, too. Conrad. Nabokov. These writers were employing English in interesting ways.

Rhythm is one of the principal translators between dream and reality. Rhythm might be described as, to the world of sound, what light is to the world of sight. It shapes and gives new meaning. Rhythm was described by Schopenhauer as melody deprived of its pitch.

Men talk of "the mistakes of Scripture." I thank God that I have never met with any. Mistakes of translation there may be, for translators are men. But mistakes of the original word there never can be, for the God who spoke it is infallible, and so is every word he speaks, and in that confidence we find delightful rest.

And I always read the English translation and always have conversations with my translator, for example about the names. I always have to approve it.

I think that being an editor, someone who works with words, is very good training for being a translator because it trains you to be attentive to words in a very specific, very concrete, very literal way.

The translator ... Peculiar outcast, ghost in the world of literature, recreating in another form something already created, creating and not creating, writing words that are his own and not his own, writing a work not original to him, composing with utmost pains and without recognition of his pains or the fact that the composition really is his own.

Translators are like ninjas. If you notice them, they’re no good.

To me a translator is very, very important. If the fixer is also the translator, so much the better. I have known photographers who didn't speak the language and would work in a place for weeks without one, getting by on common sense and smiles. But how many situations did they miss because they couldn't talk to someone and get the back story on details, small daily life things, etc.

I've heard of translators collaborating closely with their authors, sometimes even living with them for a while, but that's not me.

I have always maintained that translation is essentially the closest reading one can possibly give a text. The translator cannot ignore "lesser" words, but must consider every jot and tittle.

Many of the Central Asians know Russian, and Ted Levin speaks it fluently. I speak Chinese, but Mongolian is completely different, so we had to have translators.

Commemoration of Pandita Mary Ramabai, Translator of the Scriptures, 1922 A memory of yesterday's pleasures, a fear of tomorrow's dangers, a straw under my knees, a noise in my ear, a light in my eye, an anything, a nothing, a fancy, a chimera in my brain, troubles me in my prayers.

All mankind is one volume. When one man dies, a chapter is not torn out of the book, but translated into a better language. And every chapter must be translated. God employs several translators; some pieces are translated by age, some by sickness, some by war, some by justice. But God's hand shall bind up all our scattered leaves again for that library where every book shall live open to one another

Whereas I remember being in Dakar, in Senegal, where I have my third studio, and street casting, and I remember looking at the faces of the young men that we were speaking to through translators and so on, showing them the books. Complete - completely different response.

For hundreds of years the use of the word 'man' has troubled critical scholars, careful translators, and lawyers. Difficulties occur whenever and wherever it is important for truth-seeking purposes to know what is being talked about and the context gives no intimation whether 'man' means just a human being irrespective of sex or means a masculine being and none other.

It was an epiphany when I realized you don't have to call yourself a linguist, a translator, a poet. You can call yourself an artist and you can do all these things.

Translators can be considered as busy matchmakers who praise as extremely desirable a half-veiled beauty. They arouse an irresistible yearning for the original.

In Japan they're definitely more over the top. They had four Boogie stacks and 20 guitars. But otherwise it's pretty much the same thing, except there's a translator. It's really nice.

The first rule of translation: make sure you know at least one of the bloody languages!

There is an old Italian proverb about the nature of translation: "Traddutore, traditore!" This means simply, "Translators-traitors!" Of course, as you can see, something is lost in the translation of this pithy expression: there is great similarity in both the spelling and the pronunciation of the original saying, but these get diluted once they are put in English dress. Even the translation of this proverb illustrates its truth!

The translators of the Bible were masters of an English style much fitter for that work than any we see in our present writings; the which is owing to the simplicity that runs through the whole.

Usually the German translators do something terrible, especially with Tom Wolfe, which is that they make it local. So if the characters are from Harlem, the translators put all this Berlin slang into their mouths, and that's just terrible. You cringe when you read that. But there really is no good solution to the problem, except learning English.

Translator Dlique was saying, very earnestly, “Eggs are so inadequate, don't you think? I mean, they ought to be able to become anything, but instead you always get a chicken. Or a duck. Or whatever they're programmed to be. You never get anything interesting, like regret, or the middle of the night last week.

It is almost impossible to translate verbally and well at the same time; for the Latin (a most severe and compendious language) often expresses that in one word which either the barbarity or the narrowness of modern tongues cannot supply in more. ...But since every language is so full of its own proprieties that what is beautiful in one is often barbarous, nay, sometimes nonsense, in another, it would be unreasonable to limit a translator to the narrow compass of his author's words; it is enough if he choose out some expression which does not vitiate the sense.

I teach Korean translation at the British Centre for Literary Translation summer school, so I see an emerging generation too, who are around my age. I'm hoping to find time to mentor, and to help emerging translators to a first contract through Tilted Axis.

The best translators slip into the glove of a text and then turn it inside out into another language, and the whole thing comes out looking like a brand-new glove again. I'm completely in awe of this skill, since I happen to be both bilingual and a writer, but nevertheless a lousy translator.

The arts are not a frill. The arts are a response to our individuality and our nature, and help to shape our identity. What is there that can transcend deep difference and stubborn divisions? The arts. They have a wonderful universality. Art has the potential to unify. It can speak in many languages without a translator. The arts do not discriminate. The arts lift us up.

There is no such thing as a perfect, ideal, or 'correct' translation. A translator is always trying to extend his knowledge and improve his means of expression; he is always pursuing facts and words.

The sciences of only one nation, the Greeks, have come down to us, because they were translated through Al-Ma'mun's efforts. He was successful in this direction because he had many translators at his disposal and spent much money in this connection.

Without translation, I would be limited to the borders of my own country. The translator is my most important ally. He introduces me to the world.

The credulity of the church is decreasing, and the most marvelous miracles are not either 'explained,' or allowed to take refuge behind the mistakes of the translators, or hide in the drapery of allegory.

I have a deep love for the art of translation, and I couldn't find a novel that captured the fascinating, reckless adventure of it as I'd experienced it, or portrayed translators as the passionate risk-takers that so many of the translators I know are. So I wrote the book I couldn't find.

Actually, I'm frequently described as the UK's only translator of Korean literature, but even that isn't accurate - Agnita Tennant is UK-based, Janet Poole is British though lives in Toronto, Brother Anthony was born here though is now a naturalised Korean citizen. There's also Chi-young Kim and Sora Kim-Russell, who are younger and do fiction for commercial houses.