"The antagonism between nationalities will lose all its acuteness on the day when neither the iniquitous tendency to oppression and domination, nor the perpetual danger of the threatening preparations for war will exist. ("L'antagonisme entre les nationalités perdra toute son acuité le jour où n'existera plus la tendance inique à l'oppression et à la domination, ni le perpétuel danger des menaçants préparatifs de guerre. », Fr. ")"

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On the surface the avant garde as a whole seems united primarily in terms of what they are against: the rejection of social institutions and established artistic conventions, or antagonism towards the public (as representative of the existing order). By contrast any positive programme tends to be claimed as exclusive property by isolated and even mutually antagonistic sub-groups. So modern art appears fragmented and sectarian, defined as much by manifestos as imaginative work.

— C. D. Innes