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— Alan Moore"A lot of the critique of our growing mechanization was actually at its strongest, and arguably at its most perceptive, during the late '60s."
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The poster art over the years, art with social critique in it, has always been on class war theme. It's been trying to make that point - that we are larger than they are. They may have guns and pepper spray and helicopters and F16s and the whole U.S. military on their side, but when it comes down to it, we still have the numbers.
— Eric Drooker
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Now, as when I made films that were too autobiographical, the problem is how to escape naturalism. If you tell a strictly true story, because the way you are telling it is false, it creates naturalism. But I become a naturalist. And to become a naturalist is something I avoid. It is fake life - that is the problem. It is because we are familiar with situationnisme, and the critique of the spectacle, et cetera, which is a very fair criticism. People who have no life, and who watch this fake life on a screen - it's a very alienated situation. And that's what situationnisme is about.
— Philippe Garrel
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