"No doubt our love was still there, but quite simply it was unusable, heavy to carry, inert inside of us, sterile as crime or condemnation. It was no longer anything except a patience with no future and a stubborn wait."

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We find in the novella a seamless interweaving of at least two narrative voices, one of which is that of an observer so sympathetic that his language appears to be Aschenbach's own, the other of which is superficially celebratory (except at the moment of moralistic condemnation) but undercuts Aschenbach by means of an ironic detachment.

— Philip Kitcher