"As a kid I would always be in my bedroom constantly staring at the same four pink walls in it, aspiring to do all of these things. I had big dreams, and my dreams were bigger than what my life was at the time. I didn't understand why my life wasn't more interesting, but I was so oblivious to life outside of my bedroom because I was always there. I had to go about living my dreams."

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Over time it just got more and more intense as far as the trust factor. For example, when we started editing the film [Dream of Life], I thought, man, I need to make sense of all the footage I have; I need to ground the film. And one day I was hanging out in Patti's [Smith] bedroom, which is where Patti works, and in the corner of her bedroom is this great chair, and that's when she began showing her personal things to me. The camera was there, and we realized that we were really making the movie and making sense of the footage in the movie.

— Steven Sebring