"I've gotten to where my hair is like my onstage prop; I need to hide behind it and throw it around - it's my slo-mo effect."

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Processionalism is primary - how you get from one place to another, the relationships and effects of spaces as you move about in them. That's worked out awfully well in the State Theater. I'm a 'straight-in' man myself; I'm too nervous, I like to know where I am. I also like to know where I'm going.

— Philip Johnson