"Many critics speak about coming-of-age love, about initiation, about young libido, and so forth. I've never seen it only this way. We continue to examine things ever so minutely, we interpret obsessively. We may be less bold at 40 than we were at 17, but we're familiar with the road map; we know the bumps in the road; we recognize the sudden turns, the one-way streets, and the dead ends. And we are hurt just the same as when we were teenagers."

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Publishing a book is a great thing, and I'm grateful, but it's also a horrible, exposing thing. Once you've published a book, you never write quite as freely again. You're aware, from that point onward, of the kinds of things critics might say about it. You're aware of the kinds of things your publishers might like and dislike about it. You're half-aware of marketing strategies - of all the stuff around the book. Whereas with your very first piece of fiction, if you're lucky, those things barely occur to you at all.

— Nick Laird