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— Anthony Michael Hall"Well, I've learned something from Michael Robison just about maximizing your shots. For example, if I'm shooting a scene and someone's driving at the wheel, you could steal an insert in the same shot."
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There's a point where art is not subjective, and my example for that is Picasso. If you don't like Picasso, that's your problem.
— Danny Huston
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In a crime story, the details become tremendously important - where the staircase was in relation to the bed, for example.
— Bill James
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