"He was a horse of goodly countenance, rather expressive of vigilance than fire; though an unnatural appearance of fierceness was thrown into it by the loss of his ears, which had been cropped pretty close to his head."

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I feel there's a power in theatre, but it's an indirect power. It's like the relationship of the sleeper to the unconscious. You discover things you can't afford to countenance in waking life. You can forget them, remember them a day later or not have any idea what they are about.

— Tony Kushner