"You're always as a musician trying to shock yourself or create music that's maybe even too weird for your own taste. In my case it's kind of weird because I started out being known more for ambient things and ambiguous music, but what's experimental for me is the more traditional structure. For me, experimenting involves traditionalism."

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Surely a large part of the zealous repression of radical protest in America has its roots in the fact that millions of men who are apparently "insiders" know how vulnerable the system is because they know how ambiguous their own attachments to it are. The slightest challenge exposes the fragile foundations of legitimacy of the state.

— John Schaar