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— Brian Eno"If you think of the way a composer or say a pop arranger works - he has an idea and he writes it down, so there's one transmission loss. Then he gives the score to a group of musicians who interpret that, so there's another transmission loss. So he's involved with three information losses. Whereas what I nearly always do is work directly to the sound if it doesn't sound right. So there's a continuous loop going on."
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A lot of the so-called systems composers have this thing that the system is always right. You don't fiddle with it at all. Well, I don't think that. I think the system is as right as you judge it to be. If for some reason you don't like a bit of it you must trust your intuition on that. I don't take a doctrinaire approach to systems.
— Brian Eno
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I knew a gentleman that I had worked with over the years, who is no longer with us, and was a great influence in my life named Cachao - a Cuban musician, composer, arranger, and creator of the Mambo. The integrity of the journey is what's important - how you conduct yourself in the process. That's what Cachao was always about. He had great integrity, great dignity, was very humble, and dedicated to his art.
— Andy Garcia
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