"They were pretty tired by now of course; but not what I’d call bitterly tired – only slow and feeling very dreamy and tired as one does when one is coming to the end of a long day in the open."

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As I went through 'This Progress,' one of two performance pieces by Tino Sehgal that transform Frank Lloyd Wright's emptied-out spiral into a dreamy Socratic-purgatorial journey, the museum literally fell away. I was suspended in some weird nonspace.

— Jerry Saltz