"We needn't talk about Tessa if you don't want to, you know." "It's not Tessa." This was true. Will hadn't been thinking of Tessa. He was getting good at not thinking about her, really; all it took was determination and practice."

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The poet must not only write the poem but must scrutinize the world intensely, or anyway that part of the world he or she has taken for subject. If the poem is thin, it is likely so not because the poet does not know enough words, but because he or she has not stood long enough among the flowers--has not seen them in any fresh, exciting, and valid way.

— Mary Oliver