"All I've ever ended up with in terms of achievements is the movie, some really stupid anecdotes, a bunch of crosswords that I didn't finish and maybe some old bicycle that I found lying around on set."

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Fellini was more in love with breasts than Russ Meyer, more wracked with guilt than Ingmar Bergman, more of a flamboyant showman than Busby Berkeley... Amarcord seems almost to flow from the camera, as anecdotes will flow from one who has told them often and knows they work. This was the last of his films made for no better reason than Fellini wanted to make it.

— Roger Ebert