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— Daniel Johns"I wrote... Neon Ballroom in that time where I hated music, really everything about it, I hated it."
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Everything is important, but there is a weight to these big or expected things and then there is the logistics of them and it's trying to find, while you worry about for instance the ballroom scene, how do you get 500 people to go to the loo in corsets and don't cost you an hour and how do you remember while you're organizing all that to take a breath and say, 'Well the scene is about all of that and it's about Prince hand on the small of Cinderella back as well' and we need time to do that properly as well.
— Kenneth Branagh
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As soon as she was close, she whispered, "you've got to get out of here." "No, you've got to get out of here," he told her. "Go downstairs. Go now." "No," she countered. "You go." "Why?" he asked. "You tell me first." But before they could say another word, the last elevator slid slowly open and two men in masks rushed out. From the opposite side of the of the ballroom, shots rang out, rapid fire, piercing the ceiling, plaster falling onto the dance floor like snow. And then Hale and Macey whispered in unison, "Because of that.
— Ally Carter
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