"Since I moved six or seven times the first year I was in New York, I had to be able to roll up the work, and paper would just get destroyed. Once I looked at what I'd done, I realized I had made a painting, sort of by default."

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The worst part is that if you become part of a major - all these independent labels become farm teams for your corporate parent. Basically, you do all the work for years, blowing up an artist - you discover them, blow them up, you build their fan base. And then that artist is like, "Okay, now I'm here. Now I want more. I want to be bigger." And you're either going to be able to accommodate them, you're going to be able to figure out how to take that step with them, or you're going to lose them.

— El-P