"If sometimes there seems to be a sort of sameness of sound in The New Yorker, it probably can be traced to the magazine's copydesk, which is a marvelous fortress of grammatical exactitude and stylish convention."

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I've been making films with almost no dialogue (laughs), so sound and music become a very powerful character to tell the story. It's almost like with sound and music and images, it's your tool to tell the story, especially when I decide to structure the film in a way that usually goes against the conventions of the three-act structure which most films are made out of.

— Nicolas Winding Refn