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— Elizabeth Cady Stanton"It is through the perversion of the religious element in woman, playing upon her hopes and fears of the future, holding this life with all its high duties in abeyance to that which is to come, that she and the children she has trained have been so completely subjugated by priestcraft and superstition."
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The nation as such is not a large subject that has needs, that works, practices economy, and consumes. . . . Thus the phenomena of “national economy” . . . are, rather, the results of all the innumerable individual economic efforts in the nation and . . . must also be theoretically interpreted in this light. . . .Whoever wants to understand theoretically the phenomena of “national economy” . . . must for this reason attempt to go back to their true elements, to the singular economies in the nation, and to investigate the laws by which the former are built up from the latter.
— Ralph Raico
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There's nothing else exactly like it in any other art form, the orchestration of so many different elements. It's endlessly fascinating what can be done editorially. You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.
— Steven Soderbergh
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