"She had been dragged in the most humiliating of all dusts, the dust reserved for older women who let themselves be approached, on amorous lines, by boys... It had all been pure vanity, all just a wish, in these waning days of hers, still to feel power, still to have the assurance of her beauty and its effects."

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[Photography] allows me to accede to an infra-knowledge; it supplies me with a collection of partial objects and can flatter a certain fetishism of mine: for this 'me' which like knowledge, which nourishes a kind of amorous preference for it. In the same way, I like certain biographical features which, in a writer's life, delight me as much as certain photographs; I have called these features 'biographemes'; Photography has the same relation to History that the biographeme has to biography.

— Roland Barthes