"I’ve had many, you know, happy ending sleepovers’in my early youth — my period of exploration. I think that’s essential. Anyone who hasn’t had a gay moment is probably trying to avoid some confrontation with a reality in their life."

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What must novel dialogue . . . really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It must express character. It must advance plot. During dialogue, the characters confront one another. The confrontation is in itself an occasion. Each one of these occasions, throughout the novel, is unique.

— Elizabeth Bowen