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— Frank Waters"The earth itself assures us it is a living entity. Deep below surface one can hear its slow pulse, feel its vibrant rhythm. The great breathing mountains expand and contract. The vast sage desert undulates with almost imperceptible tides like the oceans. From the very beginning, throughout all its cataclysmic upthrusts and deep sea submergences, the planet Earth seems to have maintained an ordered rhythm."
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An excess of development can undermine the most ephemeral but distinctive tool a writer possesses: authorial voice. A writer's voice is as individual and marked as a thumbprint, and is a playwright's truest imprimatur. It is as innate as breathing, and can be as unique as any genetic code. By its very singular nature, it is seldom born in the act of collaboration. True authorial voice always pre-dates the first rehearsal of a text. And it is - and will always be - an author's most distinguishing and valuable feature.
— David Wright
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He was sure that he was not the cause of the abrupt silence. His passage through the canyon had not previously disturbed either birds or cicadas. Something was out there. An intruder of which the ordinary forest creatures clearly did not approve. He took a deep breath and held it again, straining to hear the slightest movement in the woods. This time he detected the rustle of brush, a snapping twig, the soft crunch of dry leaves-and the unnervingly peculiar, heavy, ragged breathing of something big.
— Dean Koontz
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