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— Geoffrey Rush"Like any classic you hope to get rid of all the varnish that's built up over the centuries where people expect it to be in a certain way. It's a mighty play. It's about a very old king who also happens to be a very old father, so you've got the state and the domestic levels in there together. It's a story in extremis. Everyone knows the end, there's only two people left alive."
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I'm still fighting. I don't know how much longer, but I'm still fighting a struggle, which is to make cinema alive and not just make another film.
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I write very rarely. Only, in fact, when the sheet of paper suffers an existential crisis and threatens, if I don't surrender to it, to bury me alive under its whiteness.
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