"I had always loved expressionist painting, like every European. In fact I admired it all the more because these were precisely the paintings despised by my father's generation."

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It doesn't promise to solve or erase suffering but to transform it, pledging that by loving one another, even through pain, we will find more life. And it insists that by opening ourselves to strangers, the despised or frightening or unintelligible other, we will see more and more of the holy, since, without exception, all people are one body: God's.

— Sarah Miles