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— Gina Bellman"When you shoot on high-definition, everything is very sharp and clear, sometimes at the cost of losing dimension and depth of field."
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I began to realize that by carefully selecting the depth of field and making it narrow, I could create a sense of movement and reality that was in fact not there.
— David Levinthal
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When I started using the extreme short depth of field and single point of focus, I was trying to replicate my changing eyesight. We have binocular vision; one eye perceives space from the other. I don't experience a scene visually at F32. It's more like F1.4.
— Keith Carter
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