"Garbo still belongs to that moment in cinema when capturing the human face still plunged audiences into the deepest ecstasy, when one literally lost oneself in a human image as one would in a philtre, when the face represented a kind of absolute state of the flesh, which could be neither reached nor renounced."

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As a child, as a cinemagoer, I think there is nothing better than being in a cinema or watching a film. I think it's just a while magical...it almost feels like you're at a big party in India, where you're singing, you're dancing, you're laughing, you're crying, you feel like you're at a wedding because our films invariably cover all emotions.

— Karan Johar