"In crime fiction, I just don't write the parts that aren't a thriller and it's exactly the same in my TV reporting - I distill the essence of the story until it's only the jewels of the tale - and leave in only the most compelling and exciting parts."

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Read like mad. But try to do it analytically - which can be hard, because the better and more compelling a novel is, the less conscious you will be of its devices. It's worth trying to figure those devices out, however: they might come in useful in your own work.

— Sarah Waters