"Photography must seize upon this moment and hold immobile the equilibrium of it. The photographers eye is perpetually evaluating. A photographer can bring coincidence of line simply by moving his head a fraction of a millimeter. He can modify perspectives by a slight bending of the knees. By placing the camera closer to or farther from the subject, he draws a detail — and it can be subordinated, or he can be tyrannized by it."

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You know the Zen question, 'The Bodhisattva of Great Mercy' has a thousand hands and a thousand eyes; 'which is the true eye?' I could not understand this for a long time. But the other day, when I looked at the pine trees bending before the cold blasts from the mountain, I suddenly realized the meaning. You see, all the boughs, branches, twigs, and leaves simultaneously bend to the wind with tremendous vigor.

— Katsuki Sekida