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Some of the guys I played with .. didn't go around learning more about their instruments from an intellectual point of view. All they wanted was to play hot jazz, and the instrument was just a means. I'd imagine that a lot of them criticized me-said my technique was too good. Something like that. But I've always wanted to know what made music. How you do it, and why it sounds good. I always practiced, worked like hell.
— Benny Goodman
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I could imagine that a character could do almost anything at any time, and that was the freedom of the whole thing. But keeping track of what was plausible for certain characters [was the challenge].
— Steven Amsterdam
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