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— Henry Lloyd-Hughes"If you want to have the right to have that conversation with your agent - "I know you sent it to me, I know you like it, but I just really think it's terrible" - you need to have the full details about script. You don't want to be in that situation where your agent says, "What about after the first 20 pages where it turns into a psychedelic musical?" And you're like "What? I thought it was an action-rom!""
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I don't feel bound by the ebbs and flows of musical trends, or what's happening with new music in general. I always had a fascination with that sound. It's a mixture of the idea that something could be going wrong along with the idea of bending constrained, Westernized music out of tune. But because I wasn't copying an idea, and it just came from somewhere inside me, it felt like a birth of something that most people didn't understand at the time.
— Kevin Shields
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I created a paradigm by which I could succeed, and up until recently it was the only way I could do it. I could not take the brunt of standing in the light of my own work. There was a Faustian bargain I could not make. I could have you mock me for wearing funny clothes that I could deal with. But I couldn't deal with actually standing in the light of my own musical power. That's the difference now. It's like, okay, no more of that, you're done.
— Billy Corgan
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