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— Hyon Gyon"Desire and loss of will tend to hurt the mind, which can lead to fear and compulsion. The result is that we suppress negative emotions, which we've been taught to be shameful of and hide, such as pain, anger, sorrow, and resentment. I take these complex and varied emotions surrounded by obscurity, absurdity, contradiction, and events out of our control such as tragedy, and project them in my work. So I understand that the images can generate fear, confusion, and anxiety in the audience, and if they're difficult to turn away from, it only means that my intention has been communicated."
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I guess the freedom - poetic freedom - because the poetic part of short story form is an attempt to say something that's unsayable about one's incarcerated existence, and it's fun to come up with words to represent that condition, and it's fun to pull the tail of absurdity and rile it up, where you giggle at what you do or you get enthralled and in the short story.
— Hampton Fancher
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I know not whether it would be too bold an assertion to say that candor makes capacity.... But in order to try the truth of any observation relating to the mind, the easiest method is to illustrate it by outward objects. If, for instance, a man was to sweat and labor all the days of his life to fill a chest which was already full, the absurdity of his vain endeavor would be glaring. In the same manner, when the human mind is filled and stuffed with notions brought thither by fallacious inclinations, there is no room for truth to enter: candor being banished, passions alone bear the sway.
— Sarah Fielding
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