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My thinking was that today's spectator is so well-versed in film language that all theories about suspense, as argued by Dreyer and Hitchcock, on what makes you scared in cinema, can be ditched. It's the spectator, finally, who's going to construct the menace and the fear.
— Bruno Dumont
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The so-called "remake" is simply a commercial formulation of a much deeper exchange which accounts for the way cinema is what it is.
— Jacques Audiard
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