"Behold the works of our philosophers; with all their pompous diction, how mean and contemptible they are by comparison with the Scriptures! Is it possible that a book at once so simple and sublime should be merely the work of man?"

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But then foreign critics right away made sweeping comparisons to haiku, noh theater, and directors like Ozu, as if the movie were somehow representative of Japan - which was, well, not what I was after. Similarly, with After Life, I deliberately set out to make a movie that was unlike what I imagined the foreign conception of Japan to be, and I figured non-Japanese wouldn't find it interesting at all.

— Hirokazu Koreeda