"Biennial culture is already almost irrelevant, because so many more people are providing so many better opportunities for artists to exhibit their work."

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Every movement that slays its gods creates new ones, of course. I loathe talk of the sixties and seventies being a 'Greatest Generation' of artists, but if we're going to use such idiotic appellations, let this one also be applied to the artists, curators, and gallerists who emerged in the first half of the nineties.

— Jerry Saltz