"I never expected the White House to be warm, and the artwork on the walls was extraordinary. I am a fan of the Louvre, but being there it was almost just as good."

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From the very early stage when I started doing performance art in the '70s, the general attitude - not just me, but also my colleagues - was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.

— Marina Abramovic