"I tell you (dogmatically, if you like to call it so, knowing it well) a square inch of man's engraving is worth all the photographs that were ever dipped in acid... Believe me, photography can do against line engraving just what Madame Tussaud's wax-work can do against sculpture. That and no more. (1865)"

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You can see that the care he took defiling the beauty he had forced in them was as precise and clean as his good hands which at night had developed the negatives, floating the sheets in the correct acids and watching the faces and breasts and pubic triangles and sofas emerge. The making and destroying coming from the same source, same lust, same surgery his brain was capable of. (On New Orleans photographer E. J. Bellocq)

— Michael Ondaatje