"I don't think it is worth explaining how a character's nose or chin looks. It is my feeling that readers will prefer to construct, little by little, their own character—the author will do well to entrust the reader with this part of the work."

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The area between the nose and the chin, the subject of kissing and the vehicle for speech, is perhaps even more known and set upon than the eyes. The mouth is also riddled with a complex interweaving of folds, curves, flats and lost-and-found edges. These nuances are needed by a perceptive person who might try to understand human nature.

— Robert Genn