"I was quite happy in Arkhangelsk.Subsequently, I was sent to a village. I liked it in its own way because it sounded to me very much like the tradition of a hired man in any world-class poem. That's what I was, a hired man. I was working for a collective farm."

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To convulse reality from within, to demonstrate it as fractured spacing, became the collective result of all that vast range of techniques to which surrealist photographers resorted and which they understood as producing the characteristics of the sign.

— Rosalind E. Krauss