"Emotional and psychological pain were to become, perhaps, the most powerful force in molding the course of my life. For some people, pain and hurt breed bitterness and cynicism. For others it causes them to look deeply into themselves and into life itself in an attempt to understand the meaning beneath seemingly capricious or arbitrary happenings."

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The first colour charts were unsystematic. They were based directly on commercial colour samples. They were still related to Pop Art. In the canvases that followed, the colours were chosen arbitrarily and drawn by chance. Then, 180 tones were mixed according to a given system and drawn by chance to make four variations of 180 tones. But after that the number 180 seemed too arbitrary to me, so I developed a system based on a number of rigorously defined tones and proportions.

— Gerhard Richter