"I've always been attracted to ensembles. When I started doing plays in high school and in college, I always loved the community aspect of it. I loved these little families that would develop."

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I think for a lot of artists, if you're lucky enough to have a kind of career, especially toward the end, you start to think about what the whole ensemble looks like. It's the whole that counts. The parts are given, but you don't know how the whole thing's going to look when it's all put together.

— Frank Stella