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— Jules Feiffer"In the Depression, besides everybody being poor, our entertainment was much more primitive and innocent. The comic strip, which I so venerated, was still a very new form. Movies had just become talkies. Radio had just gone coast to coast for the first time. Network radio had just begun when I was a kid. So all of these forms were more or less in their infancy, and feeling their oats. Comics were fresh and funny and nervy, and in a sense, defiant of the prevailing culture."
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The acting I got into by doing what we call pantomime, when I was sixteen. And, there were loads of very pretty girls in the show. I realized; I found out very early on, that the lead comic gets the girl. So, that was cool. When I went to university, I studied Economic Social History. And drama. That kind of got me into it. My main passion was to make films. It was never to be an actor. At that time, there weren't many opportunities for a working class Scottish actor. It was kind of an English thing. And it required a certain mannered cerebral acting style that I couldn't relate to.
— Peter Mullan
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Even in the tragedies, Shakespeare always put in parts for the comic actors because his audience was mixed. He puts in people who talk like aristocrats. He puts in idiots and fools. He puts in certain middle-range characters. And when you go to the Globe, you realize how that all works. The people who paid more sat in seats around the edge. Everybody else paid a penny. They put it into a tin box - that's why we call it the "box office." They stood in the pit, but they were very close, so when Hamlet was doing his soliloquy, it was addressed to you, the audience - right there.
— Margaret Atwood
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