"Schinkel was not arbitrary in his use of historical modes but rather eclectic in the best sense of the word. He could search the past for its conspicuous successes using them both freely and discursively as the basis for a contemporary architecture."

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The distinctions of personal merit and influence, so conspicuous in a republic, so feeble and obscure under a monarchy, were abolished by the despotism of the emperors; who substituted in their room a severe subordination of rank and office, from the titled slaves who were seated on the steps of the throne, to the meanest instruments of arbitrary power.

— Edward Gibbon