"Certain nights, when everything's perfect and we have thousands of people partying their asses off, I break my rule and have a drink onstage. I've never done a show drunk. Well, I take that back. In the early days I did."

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I think the films and the paintings erase each other. The paintings are extremely slow and constantly going on in the studio - they're constantly regenerating themselves in this slow, monotonous way that's a physical struggle and can be a pain in the ass. They're all based on very specific math and diagrams. And the films, when I'm making them, are very fast, very collaborative, with a lot of improvisation.

— Sarah Morris