"Molly works because, while Watson is ‘the audience’, Molly is every woman of a certain age sitting at home on the settee fantasizing about running their hands through Benedict Cumberbatch's hair. ...Also, I think most people have experienced the agony and the ignominy of unrequited love. I’ve never thought Molly was an idiot. She just really, really loves him."

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The point of departure for my creation was not primarily the destiny of the sixteen Carmelites of Compiègne but the figure of the young Blanche. In a historic sense she never lived, but she received the breath of life from my internal spirit, and she cannot be detached from the origin, which is hers. Born in the profound horror of a time darkened by the signs of destiny, this figure arose before me in some way as the embodiment of the mortal agony of an era going totally to its ruin.

— Gertrud von Le Fort