"I mean, already in the French Revolution, the harpsichord becomes identified with the aristocracy, with the ancien regime. Plus, hey, you know, I mean, harpsichord is a really easy target, isn't it? I mean, it's - it's just how it is."

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The artificial noble shrinks into a dwarf before the noble of nature; and in the few instances (for there are some in all countries) in whom nature, as by a miracle, has survived in aristocracy, those men despise it.

— Thomas Paine