"My mother is an ordained minister. I'm a Muslim. She didn't do backflips when I called her to tell her I converted 17 years ago. But I tell you now, we put things to the side, and I was able to - I'm able to see her. She's able to see me. We love each other."

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I think what we want to do is - when we choreograph, when we design choreography, we try to take it from a character standpoint first. Obviously you write a script and it's like, a Jason Bourne or a John Wick or something like that, you don't start choreographing double twisting wire moves and backflips, or doing the splits. You try to keep it so it fits the character, or the tone of the film.

— Chad Stahelski