"My parents, and especially my mother, always made films in a very artisanal kind of way. Her office was at home. She was always filming low budget stuff and including her family inside. It was more a way of life. I related to that from the beginning."

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The scripts for Marco Polo are absolutely, positively fantastic. The challenge of making that show in China has proved to be as formidable as we feared. It's not like making a movie in China where, once you load up and you leave, you're gone. We have to be able to come back and capture something that's going to feel like a major feature film, on a television budget, and do it, hopefully season after season, so we are taking more time than the producers thought.

— Chris Albrecht