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— Michael Craig-Martin"In my early work I didn't use much colour. I had no confidence about how I could do this."
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That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
— Nan Goldin
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In the studio, it took me a long time to work out how to make paintings that had the intensity that I was able to create by painting whole rooms. There is a very limited number of colours but there are many variations. I decided to use the purest palette that I could.
— Michael Craig-Martin
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