"I'm a big fan of Steven Seagal early films. On Deadly Ground, I'll watch that anytime it comes on. That's one of the reasons I wanted to work with him. I remember that he's got a great eye for photography. There was a lot that I learned from that."

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Sixty-five days principle photography, five-day weeks, which is the only way I'll work. With my cinematographer Russell Boyd, we take as much time as possible before pre-production, looking at stills. The next most important thing: he will come to me and talk about lenses. And I'll see his plan, which is generally great, and I might talk about how the light will be, handheld or not? I talk very freely, and try not to talk specifically, just talk around it, because it can unlock all sorts of things.

— Peter Weir