"When you're young and have a dream, it's pretty simplistic. You don't think about or have any way of knowing everything it can be, and anticipate that."

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The musical emotion springs precisely from the fact that at each moment the composer withholds or adds more or less than the listener anticipates on the basis of a pattern that he thinks he can guess, but that he is incapable of wholly divining. . . .

— Claude Levi-Strauss