"Boulez, who is everything I don't want art to be... Boulez, who once said in an essay that he is not interested in how a piece sounds, only how it is made."

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Pamela Smith and Benjamin Schmidt have gathered together a wide-ranging and provocative set of original essays that successfully demonstrate how contingent the process of making knowledge was during a period of fundamental epistemological change. This is a finely crafted and conceptualized collection.

— Deborah Harkness